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Bogart SE 2 user manual
(2) The display, "Used Capacity" gives information on the
space used on the hard drive (in dark), and on the total remain-
ing time (in light). A display for individual projects is not pos-
sible because this display refers to the entire hard drive.
(3) Clicking on the "Select" button brings up the Select Project
menu, in which you can select several different projects.
If some projects already contain scenes, the corresponding
projects are marked to the right of the project name (with a
little dot).
After you press "OK", the project you have selected is dis-
played next to the selection button (e.g. "P 1"). If you want to
rename the project, click on "P 1" (or "P 2", etc.). The on-
screen keyboard appears so that you can enter another project
name. The chosen project name is also displayed in the edit
screen above the scene bin.
Only the currently active project can be edited! Exchanging
video data between different projects is possible using the
Clipboard feature in the Edit screen. You always have access
to archived titles and colors.
(4) Under "Image size" you have the choice among Small,
Normal, Large and Complete. This setting applies only when
effects are applied.
We recommend using the default setting Normal with CRT
monitors. This will usually prevent black margins or wrong
border information from appearing when using effects. For use
with a Plasma or LCD panel, beamers and PC monitors, make
sure to use `Complete´.The image size can be changed at any-
time in the current project. It takes effect only when applying
effects and titles.
For technically interested users: A video signal conforming to
the studio standard CCIR 601 enables the use of 720 samples
and 576 picture lines. The real resolution is even higher, but
a video picture requires certain portions for synchronization
signals, videotext, timecodes, etc. The resolution of 720 x 576
pixels is the maximum allowed area for real video information.
But many video sources do not make use of this resolution.
This is true for camcorders, laserdiscs, and even for studio de-
vices. A much smaller portion is often used in the assumption
that most televisions will not be able to render the entire signal.
(5) The `Format´ button provides different settings. In addition
to the normal `4:3´ formats, the system also offers a `16:9 An-
amorphic´ mode. The option means the 16:9 mode anamorphic
and contains 576 picture lines.
Note: The 16:9 format is not available for NTSC machines.
Further, note the formats "4:3 Progressive" and "16:9 Progres-
sive". Cameras which support the "Progressive" function only
work with 25 frames (NTSC: 30) instead of 50 fields (NTSC: 60)
per second. If you activate one of the Progressive formats, a
warning is displayed saying that you should only use this set-
ting in combination with a Progressive Scan camera. Other-
wise you could limit the effect use.
If you have chosen a progressive format for your project, the
system will edit with a progressive (full frame) display.
Once you activate `HD video editing´, you will also be able to
select the `HDV´ format, which you can use for new projects.
This format is only usefull for HDV and AVCHD video footage
recorded with such a camcorder.
If you choose to work on an HDV project, once you have
started editing, it is not possible to revert back to another
format for that project.
If you decide to work on a 4:3 or 16:9 project, once started, it
is not possible to select a the HDV format any longer.
(6) The field "Audio settings" refers to the menu “Mix” and
consists of two parts:
In the upper area you can specify whether the “Transitions” for
the inserted transition effects should be “constant” or “lowered”.
A continuous (linear) audio fade means that the audio of both
scenes is faded in and out without reducing the volume. This
function should be used, for example, when both scenes have
similar volume.
A lowered (logarithmic) audio fade means that for monotone
background audio in both scenes (e.g. sea shore, traffic) the
impression is that the first scene audio is quietly faded out
before the second scene audio is faded in with increasing
volume.
A continuous fade can sometimes have the disadvantage that
between different soundtracks “acoustic confusion” can arise.
Depending on the audio of the scenes in question, it will be ad-
vantageous to use either the constant or the lowered method.
Note: If you have selected the audio fade after the fact, transi-
tions will not automatically be newly calculated. But you can
change each individual transition afterward in the menu `Mix´.
There you activate the left scene and the corresponding sound
clip. Click on the button `Fade´ and in the window then displayed
under `Transition´ set the desired option (`constant´ or `lowered´).
In the lower area of the window you can specify the behavior
of the scene soundtracks. If you set the button `Audio tracks´
to `normal´, then the buttons positioned below are disabled.
In the locked fields you can see whether the corresponding
soundtracks are free or fixed to the scene. If you select the
option `Selection´ under `Audio tracks´, then the original audio
is fixed to the scene and the behavior of the other soundtracks
can be set at will.
Note: Some systems automatically select the best audio sam-
pling frequency (48 KHz). If your system does not support this,
there is a manual audio selection within the "Audio settings",
called "Audio quality". Use it to avoid compatibility issues with
connected DV equipment.
(7) Clicking on "Delete" (in the Project area) opens a window
which offers the possibility to determine which areas of the
selected project can be deleted.
- Bogart SE 1
- Table of contents 3
- Chapter 1: Introduction 5
- Chapter 2: Installation 7
- 2.4 Unlocking software 9
- Chapter 2 10
- Chapter 3: Basics 11
- Chapter 4: Reference 19
- 4.2 Project settings 22
- 4.3 Video settings 24
- 4.5 Media Manager 25
- 4.6 Recording 25
- 4.4 Archives 25
- 4.7 Editing 27
- 4.8 Finish 38
- 4.9 Transition effects 39
- 4.10 Image Processing effects 45
- 4.11 Titling 49
- 4.12 Audio Record, Edit 55
- 4.13 Audio-Mix 58
- 4.14 Shutdown (OFF) 65
- Chapter 4 66
- Bogart SE 2 user manual 67
- Chapter 5: VGA and DVI Mode 69
- 5.3 Additional notes 70
- SWITCHING ON THE MACHINE 71
- CONNECTION OPTIONS 71
- TRACKBALL 71
- PICTURE AND SOUND 71
- OPERATING THE SYSTEM 72
- TURNING OFF 72
- Chapter 6 74
- Appendix: Media Manager 75
- 1.6 Creating a play list 77
- 2. Media Manager reference 78
- 2.2 Video archives 80
- 2.3 Music archive 88
- 2.4 Photo archive 90
- 3 Settings 93
- 3.2 User interface 94
- 3.3 Video and Audio 95
- 3.4 Connections 97
- 3.5 Parental Control 97
- 3.6 Device 97
- Appendix 98
- MacroSystem Digital Video AG 100
- 392-11/08 100
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